In part 2 of drawing from reference I, well, draw the reference. I do some adjustments based on the reason, I’m using the reference for.
I use the principles I talked about in the first video. I show you how they work in order to place all the foundations for an accurate drawing:
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I was asked by a few people, about how to approach drawing from reference. In this four part video series, I’m going to talk about this.
However, I’m also going to be specifically talking about using reference in order to change it for difference purpose.
In this video I introduce my reference and the principles I’m going to use to approach using it:
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When it comes to doing creative work, fear, doubt, and other negative thoughts are the number one reason it doesn’t even get started. It’s a struggle that all creative have in whatever medium we use to do our creative work.
You may say that the struggle is a war. A war to get off your butt, fight the fear and negativity and get things done.
If what I’ve said even slightly resonates with you, then you may want to watch this book review of Steven Pressfield’s book The War of Art. It’s worth watching, believe me:
If you liked this video and would like me to discuss something you think I might know about…
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Just be aware that my Patreon patrons get their questions answered first and they get to see the videos weeks before anyone else.
If you liked this video and would like me to discuss something you think I might know about…
If you want to ask me a question about drawing that you might be struggling with…
If you want to suggest a character or drawing you’d like me to draw, feel free to ask or suggest away, either here on my comments or anywhere else you’d like to contact me.
Just be aware that my Patreon patrons get their questions answered first and they get to see the videos weeks before anyone else.
VIDEOS/BOOKS – Perspective For Comic book Artists Book Review
So many artists run screaming in the other direction when someone mentions perspective. Other fall to the ground in a fetal position crying for their mommies, while still other break out in a cold sweat of fear.
If this sounds like you, I may have something that may help. I’ve talked about this book in other videos but I thought perhaps I should dedicate a single video to review this book:
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Well, health benefits are not the only thing drawing is helpful with. There’s a lot of other practical things you can do with drawing that don’t require it to be a career.
I thought I’d make you a aware of a book that talks about another use for drawing. I love it because it’s opened my eyes to something new I can start to do with my favorite skill set. Watch the video to see what I’ve found:
If you liked this video and would like me to discuss something you think I might know about…
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ART/VIDEOS – Reusing Your Own Drawings In Your Art
Reusing your own art is something that may or may not have occurred to you. Perhaps you’ve drawn something so well that you think it would be to hard to redraw so you trace it all the time.
Or perhaps you think that doing something like that is cheating and a “real” artist wouldn’t stoop so low as to do something like this.
The point is, is it okay either way? Is is true that pros do or don’t reuse their own art?
This week, I’m answering a question that doesn’t directly ask this question but leads me to talk about this stuff, anyway. Here’s what was asked:
“Luis you’ve given a good read here, it’s a lot more fun to read your lessons then some of the “vanilla” stuff elsewhere.
What I’d want from learning is a style quite familiar to anime/manga, so I imagine that’s a bit less then a true master (which would of course be level Da Vinci) my question is more of a statement, to the trained eye, how often does an anime/manga artist reuse lines and features for all their characters? just curious, it may affect my outlook when I’m at the stage to create my own”
And here’s my answer:
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Starting an observational drawing can be tricky if you haven’t drawn enough. There’s often way to much information and it’s tough to distill it down. Where do you begin?
This week I answer a question about this very problem. Here’s the question:
Hi.
Thank you so much for this! I really like the definition of drawing as Kung Fu. When I’m sketching from observation, I never know where to start, even after mentally sketching before I put pencil to paper. I worry about not starting at the most efficient place or the place with the most light. Any advice?
Thank you
I answer the question in the video below:
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ART/VIDEO – Drawing What You Want Rather Than What You End Up With
You have a image in your mind that you wish to draw. You sit down and begin drawing it. When you’re done, it looks nothing like the image in your mind.
Has this happened to you? Quite honestly, I think it happens to just about everyone.
It certainly happened to this person who asked me a question about it. Here’s what he asked:
Hey Luis! Firstly, this website is amazing! The lessons are entertaining and fun to do, and I’m learning so much from this. Thank you so much for making these lessons.
I have one little question, which is a little weird because my characters have some sort of random life of their own. I have an idea in mind, then start drawing it out, but then I suddenly start drawing something completely different from my original plan. Don’t get me wrong, they turn out to be alright, but I’m having trouble drawing from the imagination (which I know a lot of people have problems with) and getting the character I want. Do you have any tips or advice about this?
Sorry, I’m not sure if I’ve explained it very well, but thanks again for your amazing work!
If you liked this video and would like me to discuss something you think I might know about…
If you want to ask me a question about drawing that you might be struggling with…
If you want to suggest a character or drawing you’d like me to draw, feel free to ask or suggest away, either here on my comments or anywhere else you’d like to contact me.
Just be aware that my Patreon patrons get their questions answered first and they get to see the videos weeks before anyone else.
ART/VIDEO – How Much Practice Before You Get Into An Art School?
One way to get better at drawing is to go to an art school. It’s not the only way but it’s definetely one way.
Once upon a time I was going to take that route. However, I ended up taking a different path. Although I still took drawing classes I never went to an art college.
Well, I was asked about getting into an art school and how much skill you need just to get in. Here’s the question:
Love the work you have done here and I just had a question in mind.
Its been like 5 years since I drew seriously the last time and I feel like its almost hopeless to start again mostly because of personal problems. I’ve been into programming and 3d and I feel like I want to do more of the creative things like drawing/writing. I am planning to train myself up again before I restart my university plan in 2017. Would the time till then allow me to get into an art school if I really put hard work into this?
Thanks in advance!
My answer is in the video below:
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